The next shift is to the note Panchama, and we get the notes of Raga Shankarabaranam. Colors of India In this album they present a unique thematic offerring – Colors of India – with patriotic and deeply sensitive ideas and musical contours. Contrasts and confluences of all kinds have always found musical expression from earliest of times to date. It is interesting to note how yester-year musicians composed many melodies using traditional ragas combining adeptly the inspiration they got from listening to music from the west. India has been home to mathematics since yore, and classical music is based on mathematical formulae. If we take raga Kalyani , we not only play Kalyani raga but a whole set of different ragas without changing the sruti or the notes of Raga Kalyani It is possible mainly because of the intervals between the notes. You can listen to the change in the tambura sruti whenever we come back to Raga Kalyani and to the subsequent Raga when we shift the tonic GRaha shadja.
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Music as abstract it is gives or rather includes different feelings in different persons. Graha Bedam is a concept where, in a given raga you play a different raga without changing the sruti and the notes of the given raga.
Ganesh-Kumaresh presents colouds scintillating recital of carnatic music pieces augmented with western strings, keyboards and percussion skillfully woven around the theme of the nava rasas or the nine ganesh kumaresh colours of india emotions. Subtle grace and artifices come out in quick and easy waves with irresistible energy. Aksharam is a concept that has focused on rhythm or laya and used the same numerical values for all the other three elements of Raga, Bhakthi and Sahitya.
The next shift is to the note Panchama, and we get the notes of Raga Shankarabaranam. The violin duos Ganesh-Kumaresh present remarkable artistry and skill. Aksharam will portray all four elements with a stress on numbers. To express, we communicate. No wonder then, in the age of Fusion and World Music Indian coolours have found a natural niche.
Manoranjani, as the name aptly suggests this album was conceived to bring relaxation to the mind. While the second century text, the Natya Sahastra, renumerates the nine basic rasas, an attempt is made here to present our version of these through music using a heap of creativity and imagination.
It’s also like using the electronic tampura with the traditional tampura on the same stage. This convergence is also visible in our ability to adapt and play western instruments like the violin, mandolin, saxophone, guitar inda so on in a traditional carnatic music concert. The four predominant facets of classical music are Raga, Tala, Bhakthi and Sahitya. India has gifted ganesh kumaresh colours of india ultimate monument of love – the Taj Mahal – to the world.
Graha means home Bedam means to change or to alter. Music is not just an expression of a musician’s thoughts or ideas, but is also a reflection of his or her own contemporary social life. If we take raga Kalyaniwe not only play Kalyani raga but a whole set of kumafesh ragas without changing the sruti or the notes of Raga Kalyani It is possible mainly because of the intervals between the notes. In this modern world, expressing correctly is a sure gateway to success.
There are some artists who forget themselves in whatever surroundings they are in and surrender themselves to the divine. Classical ragas, folk tunes, mordern rhythm combine in a heady melange of sounds both traditional and contemporary. These expressions help artists to convey musically what they feel. Manoranjani is a garland of Ranjani Ragas, Manoranjani, Sriranjani, Janaranjani, Ranjani, Paamararanjani and Karnaranjani weave into beautiful and melodious album. Excellent understanding between the brothers, deep knowledge of raga and swaras, compiled with tempo and grip are the special features of the charming duo.
Literally too Shadja means the one which gives birth clours the other six notes. Indian music like the wider cultural ethos of the sub-continent is all about assimilation, re-invention and confluence of diverse influences. Now we are traversing the octave of Raga Hari Kambodhi.
This new opening also gives us the freedom to play the janya ragas or Ragas having the same notes of Raga Hari Kambodhi. Aksharam Aksharam is a concept that ganesg focused on rhythm or laya and used the same numerical values for all the other three elements of Raga, Bhakthi and Sahitya.
Dedicated by the artistes to the land of Ahimsa. One thambura was not sufficient for the entire album We needed 7 different tamburas for the seven different ragas that we have played to give the right sruti for each raga and also to bring out the essence of the raga that is being played.
How do we do it? A Mantra is a mystical energy encased in a sound structure that creates powerful vibration. It is a tribute to the immortal love of all time. Colors of India In this album they present a unique thematic offerring – Colors of India – with patriotic and deeply sensitive ideas and musical contours.