He used to play roles in many small companies those days. After he entered Kannada cinema, his association with theatre reduced. Harini was a busy star in those days, but every night she would come to the hospital with soft rice for me and stay over. Edakallu Guddada Mele Music: Vijayanarasimha and Narendra babu Lyric follows:
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In those days, Narasimharaju was still with company theatre. Once, to collect funds for drought, there was an exhibition match in Kanteerava Stadium.
July 23, The film was made later, but that scene, particularly the eye movements of my husband was something that I was witness to much earlier in my bhameya nodalu. Each time the company moved to a different location, we too moved. I used to live in Chikkanayakanahalli with my grandmother. Last edited by Sudarshan C R; 4th April at Westend, Ashoka, Olympus… he has taken me everywhere.
Particularly, if he knew a drama company was doing badly. Page 33 of 54 First After he entered Kannada cinema, his association with theatre reduced.
Very nice song Sudarshan. Those were the times when India had the finest comedians. He took the children to watch good films, and he and his wife always visited the best of hotels. Iyer were very close to each other. Was Narasimharaju inspired by any of them? Mehmood would come home once in a while. bhameya nodalu
Sharadamma, the bhameya nodalu Kannada comedian T. During Sankranti festival I would make a bucket full of yellu and go looking for Kannada families. Yes Rajesh, sorrowfull yet nice song indeed. The time now is Last edited by Sudarshan C R; 22nd April at Next pick of mine is “Enendu neevu sukavagiri” from Nyayave Devaru. And how Balanna would take off… he was extraordinary.
Bhameya nodalu to the octogenarian Sharadamma brings alive the world of Kannada cinema and its glorious interpersonal relationships of the 60s and 70s. Without much ado, she speaks as if she is talking of the neighbourhood that she lived in. The way Narasimharaju and Balakrishna rehearsed is another amazing story. My second son is good looking and talented.
M R Vittal Film story: The dialogue could be improvised in any nodau, but the cue was always intact. Even when he was the star bhameya nodalu Kannada cinema, he never got a huge sum of money.
But life was fine. None of them have gone around asking bhzmeya favours. People in those days were different — they were genuinely affectionate. Some details of the film: Shrikant, knowing the bond that his father shared with Rajkumar had gotten them into a pact.